Bidspirit auction | Carla Accardi (1924-2014)

Carla Accardi (1924-2014) - Bianco Rosso Viola, 1987. Carla Accardi (1924-2014) | Italy Bianco Rosso Viola , 1987 Acrylic on Canvas Signed: Signed and dated lower left “Accardi 87”. Dimensions: Artwork: 80 × 100 cm | 31.5 × 39.4 in Provenance: Private collection, Viena, Austria; Acquired from the above. Condition: Excellent vintage condition; the paint layers are vibrant and securely bonded to the support; the raw canvas shows natural, uniform aging; unframed. Conditions of Sale: All lots are sold as is. See Section 4 of our Terms and Conditions for return policy. All inquiries must be made prior to bidding, as no further details can be provided after the sale. By placing a bid, you confirm that you have read and agree to our Terms and Conditions in full. Shipping: Aurora & Athena does not provide in-house shipping. The successful buyer arranges shipping directly with a company of their choice. For shipments outside the EU, Spanish export tax may apply to certain higher-value artworks; no export tax applies within the EU. Any such tax is payable by the buyer. Please refer to our Shipping & Export Information page for further details. -- This energetic acrylic on canvas is a quintessential example of Carla Accardi’s rhythmic abstraction from the late 1980s. A founding member of the influential Forma 1 group, Accardi spent her career exploring the expressive potential of signs and calligraphic forms. In “Bianco Rosso Viola” (1987), she utilizes a sophisticated interlocking pattern of vibrant cerulean blue, deep magenta, and lavender-purple, all outlined in a warm orange. The forms appear to float over a raw, unprimed canvas ground, creating a fascinating tension between the industrial precision of the shapes and the organic texture of the support. Accardi’s work from this period is celebrated for its musicality and “plastic rhythm.” By stripping away representational subject matter, she focuses on the pure vibration of color and the architectural strength of her signature “sign” language. This painting represents a mature synthesis of her earlier radical experiments with transparency and her lifelong devotion to the autonomy of color.