Summer Art Auction
от Cutler Bay Auctions
29.6.24
18507 S. Dixie Hwy. Cutler Bay, FL 33157 USA, Соединенные Штаты
Join us for the second part of our Summer Art Auction on Saturday the 29th at 2:00 PM Eastern Time, featuring standout pieces from John Whorf, Hayley Lever, William Aiken Walker, James King Bonner, and Reginald Marsh. This exclusive event showcases works from prestigious collections, including the Soanierman Collection from New York, the Swift Collection from Palm Beach, and an important estate of a Mendocino County physician. Highlights include Whorf's luminous landscapes, Lever's vibrant urban and coastal scenes, Walker's detailed Southern depictions, Bonner's pastoral countryside, and Marsh's dynamic portrayals of urban life. Don't miss this unique opportunity to acquire exceptional art from renowned American artists. Happy Bidding!
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ЛОТ 16:

Alfred Thompson Bricher (1837 - 1908) American

Продан за: $700
Стартовая цена:
$ 500
Эстимейт :
$1 500 - $2 500
Комиссия аукционного дома: 25% Далее
НДС: 8.875% Полностью на цену лота и комиссию
Пользователи из других стран могут быть освобождены от налоговых платежей согласно соответствующим налоговым нормам.
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Alfred Thompson Bricher (1837 - 1908) American
Alfred Thompson Bricher (1837 - 1908) Watercolor & Gouache on paper, signed lower right with monogram followed by Bricher, piece measures 7 x 18 and 16.5 x 28 inches with custom wood frame. Alfred Thompson Bricher is best known for Luminist views of deserted shorelines edged with dramatic rocky outcroppings and views of the tranquil seas, where sailboats glide on still waters. He was born in Portsmouth, New Hampshire, the son of English immigrants, and his youth was spent in Newburyport, Massachusetts. In 1851, he became a clerk in a store in Boston, and he may have studied art there at the Lowell Institute. During his early years in Boston, he became familiar with the art of the Hudson River School, and was specifically inspired by the work of the Luminists, John Kensett, Martin Johnson Heade, Sanford Gifford, and Fitz Hugh Lane. In 1864, Lane's works were shown at the Boston Atheneum, and Bricher's studio in Boston was in the same building as Heade's. By 1859, Bricher had established a studio in Boston, where he displayed sketches of open-air works.In the 1860s, Bricher was creating marine subjects, working at Mt. Desert Island in Maine and in Northampton, Massachusetts. He found other subjects in locales in New England and New York state. He also began to use watercolor during the '60s, a medium in which he created many of his finest works. By the middle of the decade, he had become employed by the Louis Prang publishing house, which claimed to have invented the chromolithograph. Eventually twenty-three of Bricher's paintings were created as chromolithographs by the firm.In 1868, Bricher married and moved from Boston to New York, setting up his studio at 40 West 30th Street. During the next decade, he was influenced by the emergence of a younger generation of artists who were dedicated to experimenting with new techniques and developing personal styles. Affected by the art of his time, Bricher began to work in a more spontaneous and painterly manner, but he remained dedicated to capturing quiet, light-filled scenes of coastal areas and often rendered forms with a precision that reflected his continued adherence to Luminism. During the 1870s, Bricher became active in many important art associations, in particular, the American Watercolor Society. He also became affiliated with Swedenborgianism, a religion to which William Page and George Inness also subscribed. Affected in his art by the ideas of Swedenborg, Bricher created works that had a symbolic component in which forms were bathed in soft misty glows. Between 1878 and 1884, Bricher included figures in his landscapes, mostly women shown in leisure activities. These images have similarities to some contemporaneous works by Winslow Homer.In the 1880s, Bricher adopted a more tonal approach. His colors had always been predominantly pale blues and greens with touches of intense yellow; all harmoniously blended to convey the sensations of bright, sunny days. Now he concentrated on recording atmospheric conditions, which he conveyed by emphasizing a single, dominant color.Following his second marriage in 1881, Bricher spent summers in Southampton, Long Island, where he created a number of views of the expansive coastline and the village. However, throughout his career, Bricher traveled extensively, visiting the coasts of Maine, Massachusetts, Rhode Island, New York, and Canada.
Condition: The absence of a condition report does not imply an object is free of defects. All items may have normal signs of age and wear commensurate with their age; these issues will likely not be mentioned in the condition report. Please contact the auction house before the auction with any condition questions. Questions about condition will not be answered after purchase. Condition reports are provided as a courtesy, and we are not responsible for any errors or omissions.
Important note on frames: Frames are not guaranteed to be in the same condition as they are in the item photograph. Due to handling and shipping, many frames, especially antique ones, are prone to losses. If you have questions about the condition of a frame, please contact us prior to the auction.