Summer Art Auction
Da Cutler Bay Auctions
29.6.24
18507 S. Dixie Hwy. Cutler Bay, FL 33157 USA, Stati Uniti
Join us for the second part of our Summer Art Auction on Saturday the 29th at 2:00 PM Eastern Time, featuring standout pieces from John Whorf, Hayley Lever, William Aiken Walker, James King Bonner, and Reginald Marsh. This exclusive event showcases works from prestigious collections, including the Soanierman Collection from New York, the Swift Collection from Palm Beach, and an important estate of a Mendocino County physician. Highlights include Whorf's luminous landscapes, Lever's vibrant urban and coastal scenes, Walker's detailed Southern depictions, Bonner's pastoral countryside, and Marsh's dynamic portrayals of urban life. Don't miss this unique opportunity to acquire exceptional art from renowned American artists. Happy Bidding!
Altri dettagli

LOTTO 37:

William Aiken Walker (1838–1921) American

Venduto per: $1 800
Prezzo iniziale:
$ 800
Prezzo stimato :
$3 500 - $5 500
Commissione per la casa d'aste: 25% Altri dettagli
IVA: 8.875% Il prezzo e la commissione del lotto completo
Gli utenti stranieri potrebbero essere esentati dal pagamento delle tasse, secondo il regime fiscale vigente.
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William Aiken Walker (1838–1921) American
William Aiken Walker (1838–1921) Oil on carved wood paddle, signed lower right and on verso, actual wood paddle piece measures 14 x 3 inches and framed in circular frame 22 x 18.5 inches with window on back showing signature on verso. A genre painter, William Aiken Walker, is primarily known for his expressions of plantations, cotton fields, African Americans, and dock scenes. The son of a prominent cotton agent, he was a true Southerner, born in Charleston, South Carolina in 1838. Walker completed his first painting at twelve and painted until his death in 1921. Although he studied in Dusseldorf sometime during the 1860s, he was primarily self-taught. A social and friendly man, Walker often entertained friends with stories of his southern travels, which included Florida, Galveston, Texas, and the Carolinas. It is thought that he was somewhat inspired by European artistic subjects and styles, and also made at least one trip to that continent. Currier and Ives published several of his color lithographs in 1884; most notably "Cotton Plantation on the Mississippi" and "The Levee, New Orleans, " and his recognition soon grew. Throughout the Civil War, Walker remained in Charleston; becoming a member of the Confederate Engineer Corps, drafting sketches and preparing maps for the Confederacy. From 1876 to 1905, Walker regarded New Orleans as his home. There he became especially close to Everett B. D. Fabino Julio, with whom he tried to form an art league. Although their league did not succeed, the project led to what would later become the Southern Art Union, which was formed in 1880, the earliest such association in New Orleans. Walkers most productive period was during the early 1880s when he painted hundreds of pictures of poor rustic blacks. He enjoyed North Carolina, and spent many summers at Arden Park Lodge in the Asheville area, until it burned in 1919. The lodge was owned by Charles Beale of Arden, who became Walkers patron, enabling him to become a regular artist-in-residence and to sell his paintings at the lodge, with scenes of blacks working on tobacco farms.His works are detailed due to some use of a camera, and sometimes lack of emotional depth. The number of landscapes he painted increased after 1890. Walker had added talents, and was known to sing, play the violin and piano, and compose poetry in English and French. One of his art students was Blanche Blanchard, who copied some of his work and painted in Walkers style.
Condition: The absence of a condition report does not imply an object is free of defects. All items may have normal signs of age and wear commensurate with their age; these issues will likely not be mentioned in the condition report. Please contact the auction house before the auction with any condition questions. Questions about condition will not be answered after purchase. Condition reports are provided as a courtesy, and we are not responsible for any errors or omissions.
Important note on frames: Frames are not guaranteed to be in the same condition as they are in the item photograph. Due to handling and shipping, many frames, especially antique ones, are prone to losses. If you have questions about the condition of a frame, please contact us prior to the auction.