Auction 100 – Important Hebrew Manuscripts and Books from the Victor (Avigdor) Klagsbald Collection
By Kedem
Jan 21, 2025
8 Ramban St, Jerusalem., Israel

The importance of the Victor (Avigdor) Klagsbald Collection can hardly be overestimated, charting nearly a millennium of Jewish life across the globe – some one thousand years of religion, culture, literature and art.

Mr. Klagsbald, who passed away 5 years ago, was one of the most prominent collectors of Jewish art in the second half of the 20th century and a noted scholar, who built a collection of exceptional quality, much of which is now being offered for auction.

Each item in the collection was professionally catalogued by Mr. Klagsbald himself, who also added detailed descriptions in neat, cursive French along with enclosed photographs. These descriptions were indexed by subject and kept in organized dossiers, of which our researchers made use while preparing the present catalogue. Many items from the collection were made known to the public throughout the years in books and articles he authored; we select for particular mention Klagsbald's catalogue of Moroccan manuscripts, published in Paris in 1980 – Catalogue des manuscrits marocains de la collection Klagsbald – and his book A l'ombre de Dieu: dix essais sur la symbolique dans l'art juif, published in Belgium in 1997. Mr. Klagsbald was also one of the founders of the Museum of Jewish Art and History (mahJ) in Paris, and authored the catalogue of the Cluny collection now preserved in the museum, which was exhibited in the Israel Museum in 1982.

The present catalogue contains a selection of manuscripts, important printed books in first and rare editions, copies of distinguished ownership and with annotations, and letters and signatures spanning Orient and Occident, all scarce to be found. The two hundred lots featured in the catalogue include early manuscripts such as Sefer HaPeliah scribed in Tripoli (Lebanon), 1497; Moshav Zekenim, scribed in Crotone (Italy), 1473 – formerly Ms. Sassoon 409; Midrash HaGadol, written by the renowned scribe R. David son of Benaiah of Sanaa (Yemen), 1473; and several volumes of halachic rulings from Morocco, including hundreds of autographs and thousands of signatures by Moroccan rabbis from various cities. One of the volumes contains a letter handwritten and signed by R. Chaim ibn Attar, the Or HaChaim (many items in the collection originate from the Abensour collection in Fez).

The parchment manuscripts include decorated and illustrated siddurim such as the Arizal's Tikunei Shabbat, crafted by the scribe and illuminator Meshulam Simmel of Polna in Vienna, 1714, and Haggadot illustrated in the style of the Moravian school. The books with handwritten glosses include Zohar Chadash – the personal copy of kabbalist R. Moshe Zacuto, with his glosses, as well as the signature of the Chida; a manuscript of Sefer HaKavanot compiled by kabbalist R. Natan Nata Hannover, with his signature and many glosses in his hand; and a Pri Etz Chaim manuscript, scribed by R. Moshe of Liuboml, which belonged to R. Avraham Gershon of Kitov, brother-in-law of the Baal Shem Tov. The catalogue also includes unpublished manuscript works, including one authored by a disciple of the Pnei Yehoshua and R. Yehonatan Eibeshitz, with an original letter of ordination from the latter; and a Chassidic work with original letters of approbation by Rebbe Mordechai Dov of Hornostaipil and his sons.

On the occasion of its 16th anniversary and its 100th catalogue, Kedem Auction House is honored to present the Klagsbald Collection for public auction. We strive – and will continue to strive – to offer our clients rare and important items and to present them in high-quality and accurate catalogues. We have endeavored to uphold this aspiration in the present catalogue as well.


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LOT 4:

Early Decorated Parchment Ketubah – Ferrara, 1656 – Of the Earliest Documented Ketubot from Ferrara – Reused as ...

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Auction took place on Jan 21, 2025 at Kedem
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Early Decorated Parchment Ketubah – Ferrara, 1656 – Of the Earliest Documented Ketubot from Ferrara – Reused as Binding / Fragment of Decorated Venetian Ketubah – Signatures of Ferrara Rabbis

Two items from Italy, 17th and 18th centuries:


1. Ketubah for the wedding of Eliah son of Refael Shmuel Haggio with Batsheva daughter of Azariah Chaim Haggio. Ferrara, Friday, 9th Shevat (February 4) 1656.
Decorated parchment ketubah – one of the earliest recorded ketubot from Ferrara – which was reused as a binding.
The ketubah text is written in Sephardic square script, within an architectonic frame. Signatures of the witnesses, Ferrara rabbis, appear below: "Menachem Cases son of R. Elchanan" (1602-1664, served earlier as rabbi in Corfu and Modena) and "Paltiah son of R. Chananiah Monselice".
The ketubah is bordered by a broad frame, composed of symmetrical geometric guilloches featuring alternating illustrations of birds of prey and foliage. The margins are decorated with a repeating pattern of clovers and knobs. The marginal decorations incorporate many verses of blessing, from the Priestly Blessing and "Eshet Chayil". Above and below the text of the ketubah appear verses of blessing (Psalm 128) in large red, yellow and brown letters; and the four corners contain initials of additional verses of blessing (see Hebrew description). Some illustrations and verses are decorated in red ink.
The Haggios were an important family in Ferrara. In his Meor Einayim, R. Azariah de Rossi mentions R. Yitzchak Haggio "the pious Spaniard" of Ferrara, who immigrated to Eretz Israel. After his passing, his widow returned to Ferrara, to the home of her elder son R. Yom Tov Haggio, where R. Azariah saw an original ancient shekel coin she had brought from Eretz Israel.

Approx. 58X39 cm. Fair-good condition. The ketubah served as book binding, and its margins were trimmed accordingly: right part lacking and additional pieces missing in all four corners. Creases, stains and folding marks. Several holes, affecting text. Many pinholes across outlines of illustrations, apparently as an aid to copying them.

For a similar ketubah from Ferrara (fragmentary), decorated by the same artist, see NLI catalogue, item 997009840836405171.


2. Fragmentary decorated ketubah. [Presumably Venice, 18th century].
The left-hand margin of a ketubah of the Venetian type (apparently from Venice or another community under its influence): the fragment contains sections of verses and is decorated with vegetal patterns, two medallions with pastoral scenes (grain and grape harvests) and schematic illustrations of a lion and a figure in a dress. For a Venetian ketubah with similar illustrations, see NLI catalogue, item 990003035560205171.
55X15 cm. Fair-good condition. Stains, creases and small tears. Ink faded.


Our thanks to Prof. Shalom Sabar for his assistance in preparing this description.


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