Welcome to KooKoo's sale #40, an art sale with equal bargains from the world of contemporary art:
Erez Pliscov with the landscapes of our country and for the first time will present a local landscape drawing,
Avia Halavi with three outstanding works from the gas cylinders series,
Roni Yoffe with a beloved and comforting Israeli still life,
For the first time - Colonel (res.) Elyasaf Maimon with two oil paintings,
Nurit Arbel with a self-portrait :)
Naomi Shalev will present her best work to date,
The one and only Tamar Simon with a painting for connoisseurs,
Sagi Mishevski with a series of works combining light games with glass,
And many more good works by young artists from Israel and the world.
You will find in the sale works with a high collector's value at playful opening prices,
for your pleasure,
KooKoo
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LOT 28:
Nava Ron
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Start price:
$
500
Estimated price :
$900 - $1,000
Buyer's Premium: 15%
VAT: 17%
On commission only
Users from foreign countries may be exempted from tax payments, according to the relevant tax regulations
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Dancers in pink, 2023
Oil on canvas
50/70 cm
signed
Nava Ron (1961) is an Israeli artist, living and creating in Reut.
Ron is engaged in painting, usually in the technique of acrylic on canvas or paper in various formats. Her style is expressive and abstract, where sometimes hidden or scribbled characters are revealed in her paintings.
Color is the main player in Ron's works, when she paints in multiple, thick layers, in which she plays, scratches and erases. At first glance, it seems that the artist's color palette is gentle and not stormy - she chooses to paint in delicate colors, and the color pink often recurs in her works. Although, through the many layers of paint the storm emerges, and her paintings raise many questions about the relationship between the hidden and the visible.
These questions, which deal with the hidden and the visible, also arise in Ron's preoccupation with the relationship between the spots of color and the relationship between the layers, when she is mainly concerned with the ruled parts, the line out, the scratching - implicitly, the subtext. The many layers of paint allow her to reveal only a part, to scratch a metaphorical wound. Thus, she implicitly points to the painful and bloody thing that exists underneath. The scratches and lines that divide the painting are repeated many times in Ron's paintings, whose influence from the American abstract artists, such as Franz Klein, Leah Nickel and Rothko, is very evident.
