Bidspirit auction | Lambert-Rucki ”Boeuf Derriere la Haie”
Lambert-Rucki ”Boeuf Derriere la Haie” Wall Relief - Jean Lambert-Rucki (Polish, 1888-1967). Wall relief sculpture titled ”Boeuf Derriere la Haie (Ox Behind the Hedge), ” ca. 1938. Provenance: Mtre Blanche, sale of Lambert-Rucki's workshop, Versailles, 1981; Galerie Jacques de Vos, 2001; From the Estate of Gary Fink. Reference: ”Jean Lambert-Rucki, ” Jacques de Vos, Paris 1988, illust. no. 138. Lot Essay: Jean Lambert-Rucki (1888-1967) was a prolific and versatile Polish-born artist whose work spanned several major 20th-century art movements, including Cubism, Surrealism, Art Deco, and Modern Religious Art. After moving to Paris in 1911, he immersed himself in the avant-garde art scene of Montparnasse, befriending artists such as Amedeo Modigliani, Chaim Soutine, and Moise Kisling, and studying at the Academie Colarossi. Lambert-Rucki gained early recognition after exhibiting at the Salon d'Automne in 1913, and post-World War I, he became actively involved in the Section d'Or, a group aiming to revive Cubism with support from major figures like Fernand Leger, Albert Gleizes, and Georges Braque. Throughout the 1920s and beyond, Lambert-Rucki’s work bridged fine art and decorative arts. He collaborated with prominent designers like Jean Dunand and Emile-Jacques Ruhlmann, contributing to the 1925 International Exposition of Modern Industrial and Decorative Arts, a defining moment in the Art Deco movement. In 1931, he became a founding member of l’Union des Artistes Modernes (UAM), a collective that emphasized functional, modernist aesthetics over ornamental design, working alongside visionaries such as Le Corbusier and Robert Mallet-Stevens. A pioneer of Modern Religious Art in the 1930s, he also created works for churches and public spaces. Though he remained a private figure, Lambert-Rucki exhibited internationally and was deeply committed to innovation and artistic independence throughout his career. Gary C. Fink was a collector with both a lighthearted sense of humor and a serious commitment to art. Through the Museum Louvre It or Leave It, he offered Minnesotans an offbeat, thought-provoking experience; through MIA gifts, he broadened institutional collections; and through his scholarship, he continues to enable the next generation of artists. A Renaissance soul in the heart of Minnesota’s art community, Gary C. Fink was more than an astute collector - he was a spirited patron whose unconventional vision left an indelible mark on the creative landscape. Height: 48 in x width: 35 in x depth: 5 in. Condition: Please email us at condition@revereauctions.com for a condition report or additional photos.