5451 N Rural Street Indianapolis IN 46220, United States
Terms of Sale
View Demo
Welcome to our Fine Art Discovery Auction LIVE! Wednesday, March 11, at 3PM EST Preview: 1PM day of sale or by appointment. Explore the Curated Collection. Find your art! Discover a diverse array of fine estate art from Centuries past to Contemporary offerings! Whether starting your collection, elevating your decor, or adding a masterpiece to your portfolio, we think you'll find inspiration here! Featuring Old Masters to Contemporary Artists, and everything in between... You'll discover prints, paintings, Illustration Art, American Genre, New York Social Realism, 20th Century Modern, Modernism, Abstract Expressionism, Pop Art, American Western, Outsider Art, Sculpture, Works on Paper, Limited Editions & Multiples. Engravings by European / Dutch / Flemish Masters: Van Luyden, Sadeler, Goya, Rembrandt, Piranesi, Bassano, and more! A collection of etchings by Helen Hyde, and other prints and multiples by Kandinsky, Andreas Paul Weber, Emil Ganso, Peggy Bacon, David Siqueiros, Richard Lindner, William Scott, Ronald Searle, Peter Saul, Jack Beel, Leon Golub & Nancy Spero, Larry Poons, Robert Morris, PEDRO FRIEDEBERG, Landscape with Six Cormorants After Xu Beihong large scale Chinese woodblock print by Rongbaozhai studio, 20TH C., A large French Art Deco bronze female nude sculpture by Affortunato Gory, Paintings and Drawings by Antonio Gargiullo, P.E. LeComte, Paul Burlin, John Von Wicht, Kerr Eby, Leon Dolice, WILLIAM SAMUEL SCHWARTZ, Ben Zion, Gilbert Hancox, Eric de Kolb, Alexander Dzigurski, Carlo Canevari, Robert Beauchamp, Paco Young, Indiana artists: Glen Cooper Henshaw, John Zwara, Edwin Fulwider, W.A. Eyden, Grace Dickerson, Lorena Phemister, C.W. Mundy, Robert Lohman, Ed Funk, Ed Sanders, Mae Engron, Carl Pope, George McCullough, Barbara Rogers Houseworth, and more! Join us for a special sale featuring a wide range of works, from affordable emerging artists to established names. We hope to see you there!
|
LOT 2:
Jan / Andries Both, Dutch (1642-1650), The Five Senses (Sound), etching on laid paper, 8 1/2"H x 6
more...
|
|
|
Start price:
$
10
Estimate :
$140 - $250
Buyer's Premium: 25%
sales tax:
7% On Buyer's Premium Only
Users from foreign countries may be exempted from tax payments, according to the relevant tax regulations
|
Item Overview
Description:
Jan / Andries Both, Dutch (1642-1650), The Five Senses (Sound), etching on laid paper, 8 1/2"H x 6
Jan / Andries Both Dutch (1642-1650) The Five Senses (Sound) etching on laid paper Watermark present under light. Foxing and wear from age. The Dutch artist Jan Dirksz Both (c. 1615-52) was a near-contemporary of Rembrandt, but could not be more different from him stylistically. Coming from the more Catholic-influenced Utrecht, he probably trained with the famous Caravaggio follower Gerrit van Honthorst. Although he executed 17 documented etchings, Both was predominantly a landscape painter, and he collaborated closely with one of the greatest exponents of the genre, Claude Lorrain, on two series of large idyllic landscapes during his period in Rome (1637-41). Also in Italy he was closely associated with the so-called bamboccianti (followers of Pieter van Laer, Il Bamboccio, ?ugly doll?), focussing on picturesque genre scenes with bucolic, often low-life figures. On his return to Utrecht Both concentrated on landscape paintings. The original works inspiring these etchings are paintings by Jan Both's bother Andries. These would date from 1641 or earlier, as Andries tragically drowned in a canal that year while returning from festivities in that year, and Jan himself died prematurely in 1652. With its origins in antiquity and subsequently in Christian thinking, the depiction of the five senses became a popular theme in the 17th century; it is often a sub-text of still-life painting. In late 16th and early 17th century renditions, classicised female personifications of the senses were favoured, e.g. Jan Saenredam?s brilliant Allegory of sight and of the art of painting (Te Papa 2011-0001-1). However, the theme was later democratised to embrace peasantry and these are probably the most celebrated examples, mentioned both in the Grove Dictionary of Art entry on Both and by Sheila D. Muller, Dutch Art: An Encyclopedia. 8 1/2"H x 6 3/4"W(paper), 14 1/4"H x 12 1/2"W(mounting paper)
Jan / Andries Both Dutch (1642-1650) The Five Senses (Sound) etching on laid paper Watermark present under light. Foxing and wear from age. The Dutch artist Jan Dirksz Both (c. 1615-52) was a near-contemporary of Rembrandt, but could not be more different from him stylistically. Coming from the more Catholic-influenced Utrecht, he probably trained with the famous Caravaggio follower Gerrit van Honthorst. Although he executed 17 documented etchings, Both was predominantly a landscape painter, and he collaborated closely with one of the greatest exponents of the genre, Claude Lorrain, on two series of large idyllic landscapes during his period in Rome (1637-41). Also in Italy he was closely associated with the so-called bamboccianti (followers of Pieter van Laer, Il Bamboccio, ?ugly doll?), focussing on picturesque genre scenes with bucolic, often low-life figures. On his return to Utrecht Both concentrated on landscape paintings. The original works inspiring these etchings are paintings by Jan Both's bother Andries. These would date from 1641 or earlier, as Andries tragically drowned in a canal that year while returning from festivities in that year, and Jan himself died prematurely in 1652. With its origins in antiquity and subsequently in Christian thinking, the depiction of the five senses became a popular theme in the 17th century; it is often a sub-text of still-life painting. In late 16th and early 17th century renditions, classicised female personifications of the senses were favoured, e.g. Jan Saenredam?s brilliant Allegory of sight and of the art of painting (Te Papa 2011-0001-1). However, the theme was later democratised to embrace peasantry and these are probably the most celebrated examples, mentioned both in the Grove Dictionary of Art entry on Both and by Sheila D. Muller, Dutch Art: An Encyclopedia. 8 1/2"H x 6 3/4"W(paper), 14 1/4"H x 12 1/2"W(mounting paper)
Similar items from this seller
Email:
undefined
Have something to sell?
© bidspirit. All Rights Reserved.