FINE ART & OBJECTS OF VERTU
Jul 8, 2020
France
 Le Park Palace Avenue de la Costa 98000, Monaco

Extra information

1. All lots marked with the symbol are under temporary importation are subject to import tax (5.5%) (EU).

Russian art Lots: 18, 22, 149, 154, 155, 156, 157, 158, 159, 160, 162, 163, 165, 166, 166, 168, 169, 170, 171, 173, 174, 175, 178, 179, 181, 184, 186, 189, 190, 192, 193, 195, 196, 198, 202, 203, 236

Fine art Lots: 506, 509, 524, 525, 553, 554

Manuscripts Lot: 795

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6.1. Any Lot marked with a symbol “plus (+)” are “free port” and are subject to import tax.

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Russian art Lots: 36, 45, 115

Fine Art lots: 534, 536, 553, 555, 615, 617, 618

Manuscripts Lots: 813, 816


The auction has ended

LOT 508:

HENRI LE SIDANER (1862-1939) La rue au clair de lune, Villefranche-sur-Mer

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Sold for: €13,000
Start price:
15,000
Estimated price:
15000€-15000€
Auction house commission: 27%
VAT: 17% On commission only
Users from foreign countries may be exempted from tax payments, according to the relevant tax regulations

HENRI LE SIDANER (1862-1939) La rue au clair de lune, Villefranche-sur-Mer
Signed ‘Le Sidaner’ (lower left)

Oil on board

40,6 x 26,8 cm

Painted in 1925

Provenance:
Louis Le Sidaner, the artist’s son from whom purchased by Maurice Sternberg Galleries, Chicago
Purchased from the above by present owner Christie’s auction

Private European Collection

Literature:
Y. Farinaux-Le Sidaner, Le Sidaner, L’oeuvre-peint et grave, Paris, 1989, no 1194 (illustrated p.374)

Painted in 1915, La rue au claire de lune, Villefranche-sur-Mer (1915) is a picturesque work of French post-impressionist artist Henri-Eugène Le Sidaner (1862-1939).
Sidaner spent a lot of time in Villefranche-sur-mer, first in 1910 and then on several
occasions between 1924 and 1928, staying at the Welcome Hotel. Seduced by Villefranche-sur-Mer, Sidaner created a series of paintings inspired by the tranquillity of this idyllic town of the Côte d’Azur. La rue au claire de lune, Villefranche-sur-Mer and the rest of the series were painted during his intimist period, when the artist played with light in tribute of the French countryside.

Born in Mauritius, he studied in Paris, where he discovered impressionism and symbolism, the art movements that played a big role in his glorious phase of landscape painting. In the early 1920's, he abandoned human figures to throw himself into a neoimpressionist technique that merged together sweet tones and mysterious atmospheres, where the central theme were all kinds of light plays, especially on water. When asked which artistic movement he identified himself with, he simply answered “None. But if you absolutely insist on categorizing me, I am an Intimist."

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