מכירה פומבית 74 חלק א' ASIAN ART
16.1.20 (הזמן המקומי שלך)
איטליה
 Piazza Lovatelli, 1 00186 - Roma

1. Leiloeira italiana, Leilão a decorrer em Itália (Auction house from Italy, The auction will take place in Italy)

2. Portes de envio ao encargo do comprador. Sobre o valor de martelo acresce a respectiva comissão.(Shipping costs will be paid by the buyers and will be add to hammer and commission price) 

3. Para quaisquer questões em relação aos portes de envio/pagamento, por favor contacte a leiloeira antes de participar e licitar.. (for any questions regarding shipping costs / payment please contact the auction house before participating and bidding)

המכירה הסתיימה

פריט 65:

A PAINTED CERAMIC FUNERARY MODEL OF A BACTRIAN CAMEL WITH A GROOM
China, Tang dynasty

מחיר פתיחה:
8,000
הערכה:
€8,000 - €10,000
עמלת בית המכירות: 25% לפרטים נוספים
תגיות:

A PAINTED CERAMIC FUNERARY MODEL OF A BACTRIAN CAMEL WITH A GROOM
China, Tang dynasty


The camel with the four legs resting on a rectangular base, on the back between the humps a saddle adorned on the two sides in relief with an animal mask, the groom with his arms raised at the height of the abdomen and the fists originally closed to hold the reins, the head slightly turned to the left, on the head a conical hat, thick mustache and long beard.

55 cm the highest

Provenance: Fabrizio Savi collection, acquired from Galerie Moderne, Bruxelles, on 22 march 2000.

The Chinese have been familiar with the Bactrian camels since times long before the Tang dynasty, present in artistic iconography quite frequently. Caravans with these animals moved safely along the sometimes difficult territories of the Silk Road, until they reached Chang'an, the capital of the empire, then one of the most cosmopolitan cities in the world. It was therefore not unusual to see people coming from far away, very different not only in costumes but also in physical appearance. For example, the groomsman here discussed is certainly a foreigner, recognizable as such because of his prominent nose, thick beard and cone-shaped hat. The inclusion of statuettes (mingqi) depicting animals and strangers in the funerary outfit thus demonstrates the cultural openness of Tang society and, at the same time, the fascination of its intellectual and political élite for iconographic elements of exotic taste.

* The thermoluminescence carried out on 9/2/2000 from the Brussels Art Laboratory. Nuclear Section. Institut Superieur Industriel de Bruxelles confirms the proposed dating.